Nikon introduced this lens in 1999 as their first non-super telephoto lens with an integrated Silent Wave autofocus drive.
I bought my first sample of this lens in 2003. I used it as a standard lens in film days on my F4 and was very satisfied.
In my DX era it was 'only' a 25-50mm lens. I replaced it by the 12-24mm f/4, which is a very fine lens on a DX camera.
After I bought the full frame D700 in 2008 I first tried the 18-35mm and then bought my second sample of the 17-35mm, which has been my standard lens ever since.
CloseUp @35mm & F5.6, D700. |
Sun in the image @20mm & F8, D700. As almost always I was too lazy to remove the UV filter. |
Sun in the image @35mm & F16, D700. Again including UV filter. |
Volcanic landscape in infrared light. Captured at 17mm & F11 with the Nikon D70 IR. |
Evaluating corner sharpness @17mm, see 100% crops below. This shot was made hand-held with the Nikon D700 at ISO 400, 17mm, F8 and 1/30sec. No post-processing was done, the image is just raw converted by Nikon Capture NX2. |
For a hand-held shot at 1/30 sec the image is reasonably sharp. |
Upper right corner. |
Lower left corner. |
The problem of this beach photo is not the unsharp rectangle in the middle (I don't understand why but my daughters forbid me to show this area :o|). This shot was captured with the D700 at 17mm and F11. The 100% crop below from the lower right side shows the problem. On the left side there is an identical problem. |
That's what I mean with a wavy sharpness pattern: along the green line the photo is sharp, along the yellow one it's acceptable, along the red line it is unsharp. Photos like this I got from time to time with both samples of this lens I've used. Other people report similar phenomena with modern zoom lenses. |